Old vinyl records lists artists

The first and last both recently called it quits on the project album was a perfect melding of talents and creative ingredients. The fifth studio album from David Bowie, based on fictional rock star character Ziggy Stardust, is Bowie pushing the boundaries of his glam rock ethos into new worlds, literally. This is a tape-effect, end-of-the-world wisdom classic that demands the kind of attention and respect that the vinyl listening experience creates for listeners.

The debut album from DJ Shadow is famous for being composed almost entirely of sampled content…. Minimally, but expertly produced over the course of two years this album contains the downbeat, jazz-heavy, experimental hip hop that came from vinyl and to vinyl will return.

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Without leaning too much on that storyline, it does give you a context of what their early music might have sounded like. Fleet Foxes self-titled debut, released in , was an instant classic and phenomenal start for the year-old Robin Pecknold. The album plays beautifully and flows naturally, like the perfect Sunday afternoon record.

Fleet Foxes features a full-size bonus LP featuring the Sun Giant EP in its entirety, a welcome surprise for anyone who purchases this first album on vinyl. From The Storfer :. Every collection needs some artistic diversity, and Joanna Newsom will give you a lot of it in one bundle. Her box set vinyl release for Have One on Me is her third full-length LP, ringing in at over two hours of music, expertly showcasing her harp skills and unquestionably brilliant songwriting ability.

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There is a reason artists like Fleet Foxes, M. Ward, and The Decemberists readily cover her music; her songwriting ability is in another league and one that any focused listener can appreciate. All the elements were present to make this an album born for both the sonic properties of vinyl. A must own.

Oh man, Joni Mitchell. When listening to the Canadian songstress on her fourth album you understand where a lot of the sentimentality around taking an old vinyl record off the shelf and spinning it owes its roots. At that period of my life, I had no personal defenses.

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I felt like a cellophane wrapper on a pack of cigarettes. Or to be happy. But the advantage of it in the music was that there were no defenses there either. An immersive musical experience best enjoyed via a wax disc and good speakers or headphones. Eric San used an E-mu SP sampler to create the tracks for this album over the span of three days without the use of modern day sequencing software.

The result is 12 bit Blues , an album of re-invented blues music that will have you shaking your head in amazement of his technique.

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As a bonus for buying on vinyl, the LP is packaged with a cardboard, hand-powered turntable kit that actually works and plays music…the perfect way to teach any doubter how to really appreciate analog music. Ducking into the studio between U. Powerful, intoxicating music that was recorded when the band was at peak form pulling in the energy of their live shows, incredible solos and all. Madvillainy was released in by Stones Throw Records as one of the most highly-anticipated underground hip hop albums in history.

The collaboration between Madlib and MF Doom was a once-in-a-generation collaboration between two musical geniuses with very different approaches to their craft. As leaks began to spill out and buzz grew around what the two were cooking up, each focused their energy and in doing so produced an album that neither of them ever could ever have on their own.

36 records that deserve a place in any vinyl collection - Business Insider Deutschland

Full of rich, jazz-heavy beats and impeccable lyrics, and an iconic cover shot, Madvillainy is a unique hip-hop classic more than deserving of a spot on your shelf. One of the greatest albums ever made period, it comes from a time when albums were mastered for vinyl by people who had mastered for vinyl their entire lives. Hmm, what else?


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If your plan was to purchase only one jazz album on vinyl, first I would tell you what a horrible decision that is; Jazz is one of the best sounding genres on the format, with original Blue Note recordings fetching hundreds and even thousands of dollars at auction. However, if you persisted in your foolishness I would tell you to pick up Kind of Blue by Miles Davis. The musicians were given the basic outlines of the songs, but little else, as Davis wanted to capture the spontaneity he knew was at the real heart of jazz.

It worked perfectly and when played on vinyl you start to understand why great jazz is something you feel more than you hear. A defining work of the shoegazing genre, MBV recorded their second album over the course of two years in almost 20 recording studios and with multiple engineers.

If you can get your hands on the original LP, good for you, but if not there are several re-pressings that have garnered praise from critical fans in recent years. Whichever pressing you end up with you can be satisfied in knowing that you possess an album that helped define Americana.

Ironically, it required a Canadian-born musician to do so.

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There are legendary albums, then there are albums full of legend. The second and final release by the Jeff Mangum-led indie rock band Neutral Milk Hotel belongs to an exceptionally rare breed of album that confidently straddles both. The dreamy turn-of-the century sound organ, accordion, brass, pipes and accompanying album art alone provide fertile breeding grounds for a certain mystique, but the hazy connections to Anne Frank, whose diaries reportedly served as an emotional catalyst for Mangum, help push it into cult-like status. Considered by many to be one of the greatest indie rock albums of all-time, In an Aeroplane Over the Sea continues to rank among the top sellers on vinyl year after year, despite being released over 14 years ago.

One of the most accessible Animal Collective albums released to date, Panda Bear Noah Lennox created Tomboy shortly after the widespread appreciation of Merriweather Post Pavilion as a solo follow-up to his highly praised album Person Pitch. Although it is a significantly different sound than most fans might have expected upon release, to this day it is one of the most listenable albums to come from the unconventional group of artists.

And, just to make you feel like a philanthropist, all proceeds of the limited edition LP go to the American Cancer Society — as if you needed that as your reason to love Panda Bear. Coming off a low point in his career, Paul Simon was given a cassette tape from a fellow musician containing the works of South African band The Boyoyo Boys. Instigators of the indie underground movement of the 90s, Pavement is one of the bands that flew under the radar of a 90s musical scene that was heavy on TRL, light on substance. Low-tech, low-cost, 90s rock that makes one yearn for the days when digital was just a pixel on Mario Bros.

The Chaos Theory of post-relativity physics tell us of Strange Attractors — inexplicable higher-order functions that provide a kind of boundary or shape or structural dynamic for chaos systems — and this model fits R. The essential character of R. But it is grounded in an implicit order: the rhythmic and melodic deep structures of North Mississippi blues.

It is Radiohead taking everything about the genre, everything about themselves as a group, all the press, marketing, and corporate greed, dousing it with gasoline and breathlessly lighting the match. The instrumentation is complex, inspired by everything from Aphex Twin to Charlie Mingus. The lyrics are intentionally cryptic for some lyrics Yorke reportedly cut up words and phrases and drew from a hat and at times nearly inaudible.

The combination, however, captures not just the mood of the current times, but of those to come. The album offers nowhere to stand, nothing concrete to grasp, only fleeting thoughts and questions, but very intentionally so.


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  • Less concerned with the global or cosmic, MIC explored the micro-universe through the concept of non-idiomatic improvisation. Strange, disturbing yet oddly attractive. Sentiments of any persuasion are no proof of quality, but the compositions — from Haden, Bley and Ornette Coleman, among others — are uniformly strong and the supporting cast fiercely inspired. For 40 minutes you could believe, if you wanted to. He went on to make more completely satisfying albums but this one broke the mould. Transfers from the original 78rpm singles are magnificent and the selection of titles is absolutely on the money, from earliest Hot Club sides to his post-war experiments with shifting personnel and electrified guitars.

    Yet promoters would still say why not just play a bar blues? Staggering really for such a perfectly poised jazz chamber group, that can take your breath away. Anthony Braxton as. Through brilliant dynamics, lyricism, harmonic invention and pure sound trickery, Braxton showed a single horn could be a complete orchestra, paving the way for similar undertakings by Sonny Rollins among others years later.

    An imponderable, perhaps, especially when so many undistinguished vocalists currently populate the landscape.

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